Michael Howley Art

Michael Howley Art

bringing nature’s moods into your home

Peace, in a not-so-peaceful world

On Saturday, I would normally have been in Pendle Gallery by the Weir but storm Amy would have blown all of my boards over – making the Gallery invisible (quite apart from keeping people away from Barrowford park). So I gave myself permission to have a day at home, lit a fire and settled down to watch television. The first programme that I came across was Ben Fogle: New Lives in the Wild where he was re-visiting an Island retreat in North Norway which had been lovingly created by Randi Skaug – a former Middle-East peacekeeper and the first woman to have climbed Everest. Over time, she had created a beautiful, natural environment where people could come who had struggled with addictions, etc. for a retreat. The sentence which struck me most from Randi was that she wanted to provide a ‘place of peace in a not-so-peaceful world’. It seemed to me to be such a simple but profound objective in life. She displayed a real love for the Arctic environment where she had made her home coupled with a genuine warmth and love for the people who came to stay – and the effect on people was quietly transformative. I then went on to ‘binge-watch’ Mortimer & Whitehouse: Gone Fishing and it seemed to me that the programme served a very similar purpose – inviting the viewer into peaceful places and activities in a not-so-peaceful world. The filming and editing in the series are sublime – from beautiful open vistas to picturesque little corners and with slowed down details of the natural world and the art of fishing along with comedic and profound moments of interaction between the co-stars. The whole programme encourages the viewer to slow down and really appreciate the beauty of our natural environment, of shared activities and of human relationships with each other and the natural world. I think the reason that these programmes resonated with me is because I feel that this is one of the fundamental objectives behind my work as a landscape painter and art tutor (or facilitator of art workshops). I have been re-visiting my Lake District paintings and turning archived transparencies into signed, limited edition prints of the Lake District. There is often a quiet majesty about the Lakes, especially in the early morning when the reflections are still and mist hangs low. Everything is so tranquil, so quiet and soothing to the soul. When there at such times, I can’t help but slow down and appreciate the beautiful details and the overall majesty of the scene. I share Caspar David Friedrich’s sense of the divine reflected through the grandeur of nature. It leads me to a place of gratitude and fills me with a sense of awe. As a landscape painter, my desire is always to somehow reflect my sense of those moments  through my handling of soft pastels or paint, through composition and through my unique sensibilities. I want people to slow down, take time to see and experience the scene and perhaps to experience a little peace in a not-so-peaceful world. As an art tutor or art workshops facilitator, I try to create the right environment for people to follow their own creative journey. The name ‘Soulspace Art Studio’ reflects this, I believe. The physical environment is light, airy, spacious and, I hope, inspiring. There is plenty of artwork on the walls, materials with which to create and inspiring visual material to work from. I try to create a relaxed and calm atmosphere through quiet background music, a supportive approach and through fostering a sense of mutual support amongst the group. I think humour is important too because I believe that being creative is also about being joyful and enjoying the process. I encourage people to slow down and really observe the detail of things like colour, tone, shape, form, etc. and in translating these things, to work at their own pace. There is no rush to get to the destination, only time to appreciate the journey – be it smooth, challenging or a mixture of both! I also bring to the environment a sense of the invisible breath of the spirit through all our activities and interactions. All in all, I try to create an encouraging and uplifting environment that fosters creative growth and offers a little peace in a not-so-peaceful world.   Visit Soulspace Art Studio Website

Welcome to Soulspace Art Studio

I am really loving the variety of work that goes on at Soulspace Art Studio in our weekly Wednesday workshops. Working with their own choice of subject and materials, everyone seems to enjoy the working studio environment and getting ‘lost in time’ as they become totally absorbed in what they are doing. Sometimes I will make suggestions and offer some technical advice and assistance and other times I will step backwards and allow someone to become fully immersed. After the concentration of a first half, it is nice to take a break, have a brew and a biscuit and take a look at what each other is doing. There’s a real sense of mutual support and encouragement. I think that good work happens as a result of creating the right environment and providing sensitive and timely assistance. This little video is a window into what goes on in our workshops and gives you a sense of the wonderful, light filled studio environment. If you feel ready to release your creative spirit you can find out all about the workshops at http://www.soulspaceartstudio.co.uk https://michaelhowleyart.com/wp-content/uploads/2025/08/Welcome-to-Soulspace-Art-Studio1.mp4

New Year, New Website, New Work!

These are exciting times – My daughter Natalie and I have been working on this new website and blog for several months now and we are ‘live’ at last! I am thrilled by the work that Natalie has done on this to turn my overall vision into a stylish reality (if I may say so!). I hope you agree that the look of michaelhowleyart.com supports and presents the work in a beautifully co-ordinated and navigable way. Please feel free to have a good browse and perhaps let me know what you think. There will be a few tweaks here and there but for the most part, I think, we are good to go! The development of the new website and online Gallery/Store has given me a focus for selecting work for publication as signed, limited edition prints. As you see from the Online Gallery, I have a much wider range of scenes from the Lake District and the Pendle Area which I hope you will enjoy browsing through. We are blessed to be surrounded by such beautiful countryside and I hope that my response to the changing atmospheres strikes a chord with you as you browse. (Many of these prints can be seen ‘in the flesh’, so to speak, in the Pendle Gallery by the Weir in Barrowford Park). Again, feel free to leave any comments about my work in the section below – Happy browsing!

Welcome to Pendle Gallery by the Weir!

 A warm welcome to my very own ‘Pendle Gallery by the Weir’! It is a beautifully formed little gallery, nestling by the Weir in Barrowford Park (close to the Pendle Heritage Centre at BB9 6JQ). I feel very blessed to be able to show my work in such a characterful setting and at the very heart of the area which has inspired many of my paintings. I have exhibited at the Pendle Heritage Centre for a number of years now and my work has always been well received by those who visit. This led me to enquire whether there was a place connected to the Centre where I could exhibit my work more permanently. Fortunately, there was a room that was not currently being used and following the conversation with Rhona Brett, I was able to populate this exciting new space with my work and to open the new ‘Pendle Gallery by the Weir’ on Fridays and Saturdays. Since opening, I have had lots of lovely conversations with people about my work and our beautiful surrounding landscape and paintings and prints have gone off to new homes. Exciting times – roll on 2024! If you are in the area on a Friday or Saturday (10.00am – 4.00pm), why not bob in and have a browse. A warm welcome awaits!

Inspired by my immediate surroundings

 We have recently moved to a small but beautifully formed cottage at Roughlee which is situated in beautiful and wild countryside close to Pendle Hill. In fact we bought a large garden, overlooking Pendle which happened to come with a house! Since arriving, I have familiarised myself with our local landscape and have taken thousands of photographs as inspiration for paintings. Here are two recent skyscape paintings inspired by our immediate surroundings. 

Through the Veil

Below is one of the newly framed pieces for the Harrogate Art Fair (which is just a week away!). ‘Through the Veil’ is an original acrylic moodscape evoking a misty mountain scene inspired by my travels through the West Coast of Scotland. Often my paintings reflect something of the ‘inner landscape’ at the same time as the outer landscape. As I return to the world of art after a break, the way forward is not always clear and I have this sense of great opportunities, shrouded in mystery. Sometimes, as with the Harrogate art Fair, I have to take the next step in faith and trust that all will unfold in positive and exciting ways.  In life, I can’t always see the way ahead and I tend to call for guidance, listen to ‘the voice within’ (noticing any ‘pointers’ that seem to appear) and then I take the next step. So having felt guided towards the Harrogate Art Fair, I have invested in a stall, selected a body of work, chosen and ordered the framing and had leaflets and business cards printed. So now I hope, pray and am even prepared to expect, that the weekend will be a success – involving rich conversations with fellow art enthusiasts, some of whom will want to take a piece of art home with them. I am really looking forward to sharing my landscapes and moodscapes and connecting with people again through my work.  Here’s a link to Harrogate Art Fair. Through the Veil (framing by Phil Darby)

The Presence of a Portrait

I went on a bit of an artistic journey this week – out of my comfort zone and into the land of portraiture. I was working from an old photograph of my wife Jo’s great grandad Edward Lowndes Aldersley who died in the Somme in 1916. In studying the image, I was moved by the slightly haunted expression in the eyes which seemed to me to reflect fear, uncertainty, sadness, determination and courage, among other things. The challenge was to somehow reflect these things through accuracy and sensitivity in the handling of the pencil. As I worked, I was reminded of the privilege of being an artist, in that we have the capacity to let the Spirit flow through us, breathing life into our work. In this case, I felt Edward emerged from the paper as the drawing progressed and became somehow present. There is something about the qualities of a soft pencil and a slightly textured paper that can help to bring out the depth in a study like this and to reflect the ‘otherness’ of Edwards expression.  The proof of the portrait is in the reactions of those closest to Edward, of course. On receiving it as a birthday present from me and Jo, her dad (Eddie) said ‘Yes, that’s grandad. It sounds strange but it’s like I know him through this portrait – he comes alive’. Jo was also moved by the portrait and said, ‘I feel like I can reach out and touch him’. As for me, I feel like I spent a little time getting to know him this week and I felt privileged to look into the young, scared, brave eyes of a cherished family member who lost his life so that we, and those before us, might have our freedom. I only hope that my portrait does his memory justice. Edward Lowndes Aldersley 1883 – 1916   

The Art of Life

Well, what a couple of years that has been! The pandemic forced a retreat from the studio and from exhibitions for a while and so, apart from one online workshop each week, my creative focus and energies shifted to visualising and creating the home life that we wanted.  We (Jo and I) began by getting married in Scottish woodland (near our regular haunt -Watercolour Cottage, near Ardgour) – a beautiful, small and sacred ceremony in perfect surroundings.  Shortly after, we began the process of moving house and building the dream – creating a wonderful new environment which would inspire all that we do in the future. This has involved (aside from a lot of prayer and soul searching) moving to a cottage on the edge of Roughlee, creating ‘chicken world’ in the garden,  knocking down and replacing a workshop (which now has views over the countryside) and replacing the existing summerhouse with a hardier log cabin style – one which has an open view of Pendle Hill and is a very peaceful and inspiring space.  So now we have a place that we love – a ‘house of belonging’ (to borrow a title from a David Whyte poem), from which we can dream, envision and then plan and work towards bringing things into being. We are feeling very blessed and grateful and are still pinching ourselves to make sure that it’s not just a dream! Here are some photo’s of our ‘new’ place at Ousel Rock, Roughlee. The ‘house of belonging’ The workshop (pre-furniture!) Alice guarding the summerhouse Inside the summerhouse (1) Inside the summerhouse (2) A room with a view Mist over pendle from the summerhouse Contemplative corner Lola May’s memorial garden (our king charles spaniel) and Maude Tuppence and Alice at Sunset Chicken World Jo with Anne and Phil – great friends, great evening Here’s to dreaming, cheers! So having concentrated on the Art of life for this ‘season’, it is time to bring the inspiration back into the practise of art and teaching! Watch this space for exciting updates over the next few days and weeks. 

Ben Nevis Emerging (2) The Process

And following my previous post showing the process of painting the first of the ‘Mountains and Mist, Scotland’ series, here’s a short video of ‘Ben Nevis Emerging (2)’. So once again, turn up the sound, plug in your headphones, click full screen mode on the video and enjoy Ben Nevis, Emerging …. To view the original pastel paintings click: Resipole Studios Gallery   To view signed, limited edition prints of the series click: Online Gallery

Ben Nevis Emerging (1) The Process

Following my previous post, introducing the ‘Mountains and Mist, Scotland’ collection, I thought it would be nice to show you something of the ‘journey’ of the paintings. Here’s a short video of the process of painting Ben Nevis Emerging (1) using soft pastels. Rather like the mountain, the painting gradually appears out of the mist. So turn up the sound, plug in your headphones, click full screen mode on the video and enjoy Ben Nevis, Emerging ….. To view the original pastel paintings click: Resipole Studios Gallery   To view signed, limited edition prints of the series click: Soulspace Gallery Shop